Nicolas Brown (
killsign) wrote in
lostcarnival2016-12-03 04:21 pm
Entry tags:
OPEN - feel out your voice
Who: Nic and YOU
Where: in the Matrix
When: shortly after entering the Matrix, maybe a day or two
What: as a mercenary, Nic's mission is to keep tabs on the agents and their relationships to carnival workers, resistance members, etc. And he's starting with that agent behind you, right now.
Warnings: this could go one of two ways: funny or violent. Up to you, really.
It's a too-bright day with too-happy birdsong, but no matter how hard you look, you can't find any of those damn birds. Like they aren't actually there, and it's just a recording. That one angry cabby has probably passed you three times by now, but now, over-saturated happiness is all over the place. Everything is okay! Really! It's like a Sunday morning sitcom from the thirties.
Except everything is obviously not okay, because someone has been following a circus worker for some time. A kid dressed like a vagabond not used to wearing clothes that actually fit him, his eyes dark and dead, staring right through you. He doesn't look all that dangerous -- I mean, he's obviously twelve and homeless and tiny. He's just a little . . . unsettling.
Wait. Now he's not staring at that circus worker anymore -- whether that worker is you or someone else -- No, now he's staring directly at someone behind that worker . . .
And that someone is a pair of douche shades wearing a suit. The agent zeroes in on the worker, then the kid, Nic. Nic's eyes go wide. This might be bad.
Where: in the Matrix
When: shortly after entering the Matrix, maybe a day or two
What: as a mercenary, Nic's mission is to keep tabs on the agents and their relationships to carnival workers, resistance members, etc. And he's starting with that agent behind you, right now.
Warnings: this could go one of two ways: funny or violent. Up to you, really.
It's a too-bright day with too-happy birdsong, but no matter how hard you look, you can't find any of those damn birds. Like they aren't actually there, and it's just a recording. That one angry cabby has probably passed you three times by now, but now, over-saturated happiness is all over the place. Everything is okay! Really! It's like a Sunday morning sitcom from the thirties.
Except everything is obviously not okay, because someone has been following a circus worker for some time. A kid dressed like a vagabond not used to wearing clothes that actually fit him, his eyes dark and dead, staring right through you. He doesn't look all that dangerous -- I mean, he's obviously twelve and homeless and tiny. He's just a little . . . unsettling.
Wait. Now he's not staring at that circus worker anymore -- whether that worker is you or someone else -- No, now he's staring directly at someone behind that worker . . .
And that someone is a pair of douche shades wearing a suit. The agent zeroes in on the worker, then the kid, Nic. Nic's eyes go wide. This might be bad.

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The kid had been fine. Joker is used to kids, and quite likes them, even. It'd been a little odd, being stared at so intensely, but some kids are like that. He remembers his own brother, Jumbo, often had people get on his case for things like that although admittedly his own looks didn't really help with that. Regardless. His point stands.
Yet at one point, hs glances back at him just to see how he's doing, and follows where his gaze had refocused on and.... Oh. Hm. Joker doesn't respond, not visibly, but he curses in his head.
Always an exciting time in the circus, he guesses.
Acting still oblivious, Joker pauses at the window of a shop, pretending to look over the things on display there while he waits to see where the kid will go or if he'll catch up to him in some way. That's his first priority.
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Run or fight. Hide or protect. Are fellow workers even people he should be protecting? In the end, his jaw sets, decided. The Ringmaster said to follow, and as he belongs to her now, he would obey. He only has to catch up to his target while evading the enemy. Easy.
The same old lady passes Nic for the second time, a glitch in the system he's noticing more and more. Hoping the oddity is enough of a distraction, he slips into the darkness between two shops, and suddenly, his heavy boots are completely silent. Running through the twists and turns of too-small alleyways, Nic opens the first back door he sees and finds his way back to the street. In fact, he emerges from the front door of the very storefront that Joker had been perusing. The little bell above the door even announces his arrival.
Nic stares up at the man and blinks vapidly, surprised. Maybe he really is only good at killing . . . because that did not turn out as planned.
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Joker blinks down at the boy as well, expression loose in surprise, before he quickly schools it into a wide grin. “Jims! Fancy runnin’ inta ya here!” Hoping that’s enough warning, he slings his arm around the boy’s shoulder- his left arm, the one he’s gotten used to all these years without his prosthetic- and tries to guide him along. “We should catch up! How’s yer older sister doin’?”
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Wallace, he's thinking of you.
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And murmurs carefully, “It’s the guy in the suit, right?”
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"You any good?" he says with some effort. He means fighting, of course, in this whack-o system.
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"Run," he says. He doesn't consider it cowardice; sometimes, dodging a grenade is smarter than catching it and lobbing it back. You lose less hands that way.
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Actually, speaking of which, he should probably check on something first. “Ya with the Ringmaster?” he asks, glancing down at him.
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It was a trying few days to begin with. And then there's a kid staring at him. Strange stares at Nic in return, a bit oblivious to the person in sunglasses behind him.
"May I help you?" It's asked in a gentle, if slightly confused, tone. After all, this child is...well, a child. There's no need to be deliberately rude to him.
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It's a gravelly, painful thing, his voice, rough with disuse. He really just makes the mouth shape and barks through it.
On top of that, Nic is giving the man's get-up another dubious once-over, as if to say, You really need the help and What costume store did you walk out of? Despite Strange's kindness, there may be rudeness happening anyway.
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Still, magic cannot cure madness. Perhaps magic cannot cure muteness either.
"Don't strain yourself. I'm sure we can find pen and paper if you wish. There's plenty of stores around here." He is either blissfully ignorant of Nic looking at him like he's an idiot or (more likely) he is straight up ignoring it. This young man's looking at him like he's mad, well congratulations Nic, you have pointed out the obvious.
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Nic brightens at the prospect of someone actually putting effort into communicating with him. Acting normal isn't going to do much around a guy like this, and Nic isn't one for subtlety, anyway. But it's either this or fight, so Nic decides to lead the agent around a little.
Nodding emphatically, Nic extends his hand for Strange to take. He is willing to lead him to a store like he's helping an old man cross the street.
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So, small steps it is. He lets Nic lead him to wherever they're going as he follows behind like a lost child. Strange can't help get distracted though, looking up at cars, at street lights, at every sort of technology that he has no idea what they are (because again, obviously 1800s).
"I hope you know where a store is, as I haven't a clue. Otherwise, we'll be walking around in circles."
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They really are just walking around in circles.
Nic stops mid-stride. He looks behind them. Okay. No agent in sight. But . . . where are they?
After a long pause, Nic shrugs and tugs Strange into the closest store to them. Whether or not it will actually help them out . . . that remains to be seen.
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Thankfully, the store is a Rite Aid. But holy mess is Strange just blown away by everything. He's from the early 1800s. Things like this, the lights, the sheer amount of things packed in this one little store, it's something he never imagined in the first place.
While he didn't really change his appearance in the White Room, Strange was thankfully smart enough to pick up some money. They'll be able to pay for whatever notebook and pen they manage to find...once Strange stops getting distracted, that is. Now it's his turn to tug Nic towards something, as he spots some sort of horrible singing ninja hamster children's toy.
"Over here! Look at this odd little thing!"
And this is how the twelve year old became the actual adult of the duo.
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It must be a weapon. That's the only explanation. Nic slowly, fearfully reaches out . . . and flicks its little swinging nunchucks. He shoots Strange a look, then presses the still-spazzing hamster to the adult's stomach.
Take this. his eyes seem to say, implied tone dry. It's dangerous out there.
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He can't help but give Nic a wry smile as the hamster gets forced on him. "I suppose if worst comes to worst, I could throw it at someone," said as he lightly tosses the hamster in the air before catching it.
Because he's just been having so much trouble getting the Matrix to work, bending it around him the same way he would normally do magic. He'd give all the kingdoms in this world and Faerie just for the slightest ability to be able to do his damn magic here.
And would you look at that, as Strange tosses the hamster in the air, he gets a glimpse of some school supplies, including notebooks and markers, on a shelf further down. He gestures towards the school supplies with his free hand. Maybe now they'd be able to properly communicate.
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He flips it open and crudely writes:
NICOLAS BROWN
WATS YOR NAME?
Maybe "properly communicate" was putting it nicely.
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CONDENSED INTRODUCTION: JONATHAN STRANGE, ASHFAIR, MAGICIAN, PENINSULA.
PLEASURE TO MEET YOU, NICOLAS!
His penmanship is simultaneously flowery and messy. It's a bit illegible at certain points but hey, the overall message can be read. He gives Nicolas a little nod as he hands the notebook back, entirely unaware that parts of his condensed introduction don't entirely make sense.
But look, he's not going to write the whole thing down, that'd take time and use up space.