Nicolas Brown (
killsign) wrote in
lostcarnival2016-12-03 04:21 pm
Entry tags:
OPEN - feel out your voice
Who: Nic and YOU
Where: in the Matrix
When: shortly after entering the Matrix, maybe a day or two
What: as a mercenary, Nic's mission is to keep tabs on the agents and their relationships to carnival workers, resistance members, etc. And he's starting with that agent behind you, right now.
Warnings: this could go one of two ways: funny or violent. Up to you, really.
It's a too-bright day with too-happy birdsong, but no matter how hard you look, you can't find any of those damn birds. Like they aren't actually there, and it's just a recording. That one angry cabby has probably passed you three times by now, but now, over-saturated happiness is all over the place. Everything is okay! Really! It's like a Sunday morning sitcom from the thirties.
Except everything is obviously not okay, because someone has been following a circus worker for some time. A kid dressed like a vagabond not used to wearing clothes that actually fit him, his eyes dark and dead, staring right through you. He doesn't look all that dangerous -- I mean, he's obviously twelve and homeless and tiny. He's just a little . . . unsettling.
Wait. Now he's not staring at that circus worker anymore -- whether that worker is you or someone else -- No, now he's staring directly at someone behind that worker . . .
And that someone is a pair of douche shades wearing a suit. The agent zeroes in on the worker, then the kid, Nic. Nic's eyes go wide. This might be bad.
Where: in the Matrix
When: shortly after entering the Matrix, maybe a day or two
What: as a mercenary, Nic's mission is to keep tabs on the agents and their relationships to carnival workers, resistance members, etc. And he's starting with that agent behind you, right now.
Warnings: this could go one of two ways: funny or violent. Up to you, really.
It's a too-bright day with too-happy birdsong, but no matter how hard you look, you can't find any of those damn birds. Like they aren't actually there, and it's just a recording. That one angry cabby has probably passed you three times by now, but now, over-saturated happiness is all over the place. Everything is okay! Really! It's like a Sunday morning sitcom from the thirties.
Except everything is obviously not okay, because someone has been following a circus worker for some time. A kid dressed like a vagabond not used to wearing clothes that actually fit him, his eyes dark and dead, staring right through you. He doesn't look all that dangerous -- I mean, he's obviously twelve and homeless and tiny. He's just a little . . . unsettling.
Wait. Now he's not staring at that circus worker anymore -- whether that worker is you or someone else -- No, now he's staring directly at someone behind that worker . . .
And that someone is a pair of douche shades wearing a suit. The agent zeroes in on the worker, then the kid, Nic. Nic's eyes go wide. This might be bad.

no subject
Wallace, he's thinking of you.
no subject
And murmurs carefully, “It’s the guy in the suit, right?”
no subject
"You any good?" he says with some effort. He means fighting, of course, in this whack-o system.
no subject
no subject
"Run," he says. He doesn't consider it cowardice; sometimes, dodging a grenade is smarter than catching it and lobbing it back. You lose less hands that way.
no subject
Actually, speaking of which, he should probably check on something first. “Ya with the Ringmaster?” he asks, glancing down at him.