Lost Carnival Mods (
ringleaders) wrote in
lostcarnival2018-11-27 10:05 am
Entry tags:
⇨ THE SUMMERLANDS
Who: Everyone!
When: Day 119 - Day 126
Where: The Summerlands
What: Ignatius and Gild portal everyone to the Summerlands, with hopes of appealing to the Summer Maiden for help. Meanwhile, the carnival gets the chance to relax in luxury as only tentatively welcome guests. Here is the location write up from the last time the carnival visited. Since then, of course, some things have changed.
Warnings: Nothing in particular.
When: Day 119 - Day 126
Where: The Summerlands
What: Ignatius and Gild portal everyone to the Summerlands, with hopes of appealing to the Summer Maiden for help. Meanwhile, the carnival gets the chance to relax in luxury as only tentatively welcome guests. Here is the location write up from the last time the carnival visited. Since then, of course, some things have changed.
Warnings: Nothing in particular.
THE SUN RISES↴![]() After taking the time to rest, Ignatius and Gild will be able to pool together their energy to portal the carnival (and the airship) to the Summerlands. Those still in Polaris will be left to their own devices for the moment as Gild intends to ask for the Summerlands aid in relocating them, hopefully as soon as possible. With the effort the carnival put into sorting things out in there, however, they should be fine on their own for a little while, at least. They will arrive in the flowery fields at the base of the mountains, and soon the Summer Fae will notice their presence. Since the last time they visited, however, the atmosphere has changed. ► YOUR ARRIVAL: As the Summer Fae discover the group's arrival, it will quickly become apparent that there is a tension present that wasn't there any of the other times the carnival has visited. The Summer Maiden comes to greet the group personally, with an entourage of armed Summer Fae. They are not at all aggressive unless provoked, but there is clearly a wariness that is new. They seem uncertain about Ignatius being here, and while Gild will be able to do a lot of the talking and smooth things over, the Summer Maiden will deflect having a serious conversation about affairs until the carnival has taken time to 'rest.' It's more likely that the Maiden needs a moment to think over this new information before dealing with it. ► SUMMER CITY: After the Summer Fae become aware of everyone's presence, and the initial uncertainties are accommodated, they will invite you into their city. There are stairs that lead up the sides of the mountains, but thankfully there are also magical means of getting up there as well. The Summer Fae will be willing to help workers with the injured as needed, offering herbal remedies and healing magic to those that want it. You'll also be invited to join them for dinner, but it feels like more of a formality, and no one is obligated to take them up on it. ► SUMMER PEOPLE: The fae here will do their best to entertain these new visitors - but it doesn't seem that much happens here besides day after day of peaceful meditation and relaxation. It is not uncommon to see Summer Fae spent days doing exactly the same thing, whether that be enjoying the weather, listening to music, or dancing - the day and night periods may be similar to earth, but when you don't need rest it can all blur together just the same. Some of the fae work on feats of agriculture or craftsmanship, and while there is no particularly need to work in this place, they take pride in the fact that they do. ► FAMILIAR FACES: One very different thing about the Summerlands this go around is that there appears to be a small settlement built at the base of the mountains, filled entirely with the former residents of the Manor. Alyss and Reyna will explain that they set up a place to live down there with the Summer Fae's help, and that the fae seems to be trying to remain hands off except when they are needed. The Manor folk overall seem to be doing well, though there is some tension regarding their place in the Summerlands - they are clearly seen as refugees, and while the Summer Fae do their best to help them, the arrival of the carnival and the request for even more help with refugee aid seems to be making things awkward. ► OF THINGS TO COME: The Summer Maiden will remain distant for the first few days, but according to Gild and based on personal observation, it will seem that the news that the Ringmaster has been taken and the idea that even more desperate mortals are requesting to come here are putting her at significant ill ease. She's not rude or dismissive, but she seems reluctant to address the situation head on, though she has said that she will hold a meeting with the carnival later in the week to discuss everything in more detail. None of them seem particularly angry or resentful, but they seem to regard the carnival as an ill portent of things to come. |


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"Because it's fun," he points out, with exaggerated patience and a slight roll of his eyes. "Polaris didn't take that out of you, did it?"
It very well may have. Lambert doesn't know. In any case, he's not waiting for an answer before he's wheeling Pig around, calling over his shoulder.
"Bet we can beat you to that cliff!" Well, no, Childermass could probably beat them if he used his shadows, but he's counting on Childermass sticking to the spirit of the game -- even if Lambert's cheating himself by taking off like a shot, standing on his stirrups as he urges Pig forward into a thunderous gallop, laughing like a madman.
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Especially since there's no way Pig is beating Baker there.
Lambert will have a head start, finding himself riding alone for long enough that the cliff is coming up worryingly fast. It's enough that he might start worrying but it would be for nothing. There's a flash of orange and white off to the side and Baker will have already caught up, Childermass hanging onto his mane and leaning forward to keep with the angle of a running dog's back. Despite giving the witcher and the Mudsdale the lead, he's there and passing them by, moving as quickly and as lightly as a bird over the ground, all in spite of his size.
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"Those rocks there!" The ones falling. Baker spots them and skids to a halt, leaving furrows in the dirt with his paws. "Use Flamethrower!"
Which means the magician needs to lean back and steady himself for the massive dog inhaling and then spitting out a long stream of flame at the nearest batch of debris. Smaller bits are burnt up right off the bat, larger knocked aside just enough so they won't hit them.
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When the dust finally settles, the witcher looks up at the denuded cliff face with exposed rock, pursing his lips.
"Damn, I was looking forward to the view. You think they won't notice if we can cover it up with something?"
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But that said, he looks back up towards the overlook they'd been heading for. It isn't so far up, at least in view, and he's certainly managed longer distances. He leads Baker over, closer to Lambert and Pig.
"I should be able to take us up there."
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Nonetheless, bringing Pig up onto unstable ground is likely a losing proposition, something Childermass probably knows just as well as Lambert does. Which means after a gentle pat on her neck (where her mane is, of course, already plaited with ribbon, though not to the same extent as her master's) the witcher will slide off her back, landing a bit heavily but recovering quickly. Having found his feet, he'll raise a brow at the magician as he steps away from the Mudsdale, exaggeratedly holding out his hand to him on the pretext of helping him hop off off Baker.
"Why don't we let them run loose while we're at it? No sense keeping them stuck in balls when they could be terrorizing the local wildlife instead."
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"But very well. They've been cooped up for two stops now, anyhow..." Polaris wasn't really a stop but. He doesn't want to think about it. "Shall we?"
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Lambert doesn't so much hold Childermass's hand as he provides a surface for it to rest on, handling it as carefully as brittle glass.
"Can you talk through how you cast it before we actually get up there?" he requests. "If I'm trying to learn it, understanding that is as good a start as any."
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"It doesn't need a sign or any word," Childermass starts there, with something Lambert does know. It isn't anything like witcher magic, either. "It's will alone. I pick where I want to be and, if there's a shadow nearby, I go there. At first, it was only short distances, shadows I could see, but I can feel my way out through longer trips now. It's..."
Well. He frowns some, turning to look back at Lambert.
"Not a very good explanation, I know, but think of it like your dragon form. You just tell yourself to be a dragon, don't you?"
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"Not exactly?" he huffs, frowning. "When I asked the Ringmaster to teach me that trick, she said I'd need a little more 'bestial energy' to pull it off, whatever that means. And then she kind of just ... stuck some in me. I don't really feel like I tell myself to be a dragon as much as I have to yank that magic out where she put it in the first place, hold it as long as I can."
Although given he's not the only one who can turn into another form, here, he's left squinting at Childermass suspiciously. "Wait. Do you just tell yourself to be a bird when you turn into one?"
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It's something he admits with reluctance. There's that connection, a bit of the Count's magical spirit in him, not unlike what Lambert has to access or, at least, they could theorize that as possible. Though saying that only makes him frown all the more and look away, anywhere besides Lambert or the cliff.
"All of my magic became easier after that, all save spells I knew from England."
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He sighs, theatrically put upon.
“You’re just going to have to teach me the old fashioned way.” Whatever that is. Nonetheless, he’ll gamely continue through. “You were doing this before we ever ended up in Portland. It was your spell first. What does reaching for shadows feel like?”
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Which is why, now that Baker and Pig have wandered off to explore the Summerlands, he's using Lambert's shadow to hop them straight up to the top of the cliff. Lambert was never going to make a jump that distant, anyway, and there's a grove of trees clinging to the mountainside up on it.
But to answer Lambert's question, once they're up there, he simply turns to look at him and says, "It's like opening a door. You're going from one place to another, there just isn't a physical handle for you to hang onto."
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“Like a opening a door. Right. Only the door doesn’t just not have a handle, it also doesn’t have a doorframe, or anything else, or exist.” He sighs, then squares his shoulders, expression stubbornly determined. For all his bellyaching, he does want to learn this. He needs to, if he wants to be able to use it to save someone’s life sometime.
“Is there any other trick to it? Something that helps it work better?” And before Childermass can say anything, he’ll add— “No matter how stupid it sounds. You’d be surprised. The first time I managed to cast Aard was by pretending I was a gassy ogre.”
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For what reasons, he's only ever been able to guess at. Could be he needs a shadow to enter a shadow, could be he'd be lost if his shadow suddenly stopped existing. Even so, it's a mystery.
"But that doesn't mean you can't use it to try yourself. Imagine a shadow is like a pool of water instead of a door. If you step into the water, your feet go under, right? That's what I want you do."
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“I should probably start with just myself, right? Don’t want to accidentally slice you in half or anything like that...” His tail flicks behind him with a clink of metal ornaments before it stills, the witcher’s mind and expression focusing on the task. He’s got magic of his own, somewhere — he knows it’s there, stunted as it is, nestled alongside the fire in his belly and the other changes the Ringmaster’s magic has wrought on him.
But it’s a strain, even as he grasps at it, difficult to understand how to shape it to his needs. From Childermass’s end, it’s nothing particularly exciting to watch, just the witcher standing with an increasingly frustrated expression on his face.
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"Closing your eyes may help you pretend its water," he says, gravelly voice slow and easy to make sure he doesn't sound pushy. "I would ask you to give me your hands in that case, however, so you don't end up falling through a shadow unchecked." Well, either that or— "If not that, perhaps matching the concept with a new sign. All your spells go with one, don't they?"
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“Every witcher spell’s just a shorthand for magic a real mage would cast. We’re not even the ones who made them — we just copy the magic users who taught us how. If anyone’s going to make up a sign, it’s got to be you.”
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"Perhaps a grasping motion? Fingers hooked under your palm? A bit like a bird grabbing something."
He looks up again on saying that, demonstrating. Palm face down, fingers and thumb hooking under.
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“Can you take me through the shadows a couple more times?”
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They finally call an end to the day when it rolls around close enough to whatever the Summerlands has that passes for dinner. With the fae more inclined to eat out of pleasure than necessity, dinner ends up being whatever Baker manages to drag back from the forest, cooked assistance of one or two Manor folk mildly star struck from Alyss’s stories of Childermass. It’s a nice enough meal — companionable even, with Lambert managing to secure sufficient alcohol to loosen his tongue and tell people rowdy stories of other (heavily edited) feats of valor Childermass has performed — but at the end, when it’s time for bed, Lambert lingers by the portal back to the mountain cities, looking uncharacteristically bashful.
“So, ah ... can we try again tomorrow?” Under other circumstances, he’d be certain of what he could ask for, but ... even with the ring still on Childermass’s fingers, he isn’t. It had been easy enough to hold his hands all afternoon with the excuse of practicing magic to go with it, but right now it feels like an insurmountable distance.
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It's nice, to be left lounging against his big, stupid dog, eating a meal while people talk and laugh around them. It's a pity it can't last and he's walking Lambert back to the portal all too soon. He looks at the portal when Lambert asks that, absently fidgeting with that same ring...
"Yes, we will," he agrees after a moment, sounding a bit distant. Though he won't look back at the witcher, there's another pause -- a thoughtful one -- before he adds, "You could stay down here. I know it isn't as lavish but they have plenty of room."
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"You know I don't care about fancy," Lambert shrugs, rubbing a hand at the back of his neck. Drink softens his tone, slurs his words slightly as he tries to think his response through. "Short notice to ask them to get me a place, though, isn’t it? Don’t wanna bother anyone.”
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waves hands vaguely and casts spooky timeline magic
what happened when who even knows who even cares
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