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lostcarnival2017-11-06 04:29 pm
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⇨ END OF EVENT LOG
Who: Everyone participating in the Prince's challenge.
When: Day 178, Afternoon
Where: A Conjured Forest
What: The Carnival takes to the Hunt again, but this time, with the intention to win.
Warnings: Violence and death.
When: Day 178, Afternoon
Where: A Conjured Forest
What: The Carnival takes to the Hunt again, but this time, with the intention to win.
Warnings: Violence and death.
SACRIFICES↴![]() In a bid to definitively settle a victor and reclaim the captured carnival workers, the Ringmaster has challenged the Prince to another hunt. If the Prince wins this challenge, he can claim the Blue Rose the Carnival stole; if the Carnival wins, the Ringmaster will be allowed to claim one True Name in the Prince's possession. With the Manor reshaped as it is, there's no longer a courtyard to transform into a suitable hunting ground. Instead, the Prince's magic has turned one of the floating islands between the fortress and the Carnival into an overgrown forest. Being a fae contest, of course, each side's idea of victory is not as straightforward as it would appear, but for those participating in the hunt, there is only one objective that matters: to kill their prey in the time they're given. The captives who have been transformed into beasts will have little of their human sentience remaining, and will be set loose to wander the forest freely. Instinct will compel them to conceal themselves or attack hunters, depending on their individual disposition. Upon death, the beasts will remain in their bestial forms. IN HOT PURSUIT↴ To win this challenge, the hunters must bring all of the beasts down with weapons or innate strength within the time limit: an hour and one minute. No magic may be used to take any of the beasts down -- any use of supernatural or magical abilities to trap, track, or kill the creatures will result in a forfeit to the Prince, and this will be made explicitly clear to the hunters before the contest begins. Hunters are allowed to bring their own weapons and mounts, provided they are non-magical in nature (or their magical abilities are not being actively used). If they do not have their own, ordinary ones of any variety will be provided to them. To expedite the proceedings, rather than dragging the bodies back individually, each hunter will receive a token from the Prince: an enameled blue rose. To formally claim a kill, they must place the rose on the dead beast (ideally, in their mouth, though as long as it's touching it it will do) and activate the spell by reciting the following words: "I claim this life for thy Master's game." "A life surrendered to claim my prize." Using the rose in this way will cause its petals to instantly wilt and magically bring the dead beast, and any hunters touching it, back to the Prince. So, don't touch it if you want to stay in the forest for more hunting. A CAPTIVE AUDIENCE↴ The Prince and the Ringmaster will be waiting for the results of the hunt in a roughly-constructed marble amphitheatre on another floating bit of rock. Those whose stomachs are too weak to take up even just the appearance of hunting can stay at the Carnival or hang out in the amphitheater, with the caveat that any attempt to attack the Prince or use magic to aid the captured prey will instantly default the win to the Prince. Should they want something to do other than twiddle their thumbs, the non-fighting carnival workers can peer into the hand mirrors left on the seats, smaller versions of what the Prince is watching the hunt through. They will be unable to control what images are brought up in the mirror, and it essentially only shows whatever the Prince is looking at himself. There's no sound, but the images are in full color (all the better to see blood with). This is also the area that the hunters and prey will be brought to when the spell is activated (or when every creature has been hunted). So, expect for a pile of corpses to end up there. [ OOC: This log wraps up the end of the Heartstone Manor plot! It is up to hunters and prey to create their own toplevels and sort out who will be delivering the finishing blow (feel free to use the OOC post about this event to coordinate that), but OOCly, it's set that the Carnival will win the Prince's challenge. The hunt's conclusion will be posted as a separate comment for characters to respond to.] |
The Peryton, ver. 2 / OTA prompt
There's something to be said about such a thick and brilliant forest.... and it's that there are many hiding places for beasts so inclined to it. Especially up in the branches. The leaves there are thick and plentiful, and branches sometimes block any bit of the sun's light in certain areas. For anything that can reach such heights, it's a handy place to be.
Some of the hunters might not realize the level of deceit such a thing can offer, however.
Is that the sound of a boar snuffling that way? Best go to check. For others, that's the distressed cry of a Phoenix another way. And then for even other parties trying to hunt, they might hear the murmur of conversation.
A lot of it can be rather convincing! Wannabe hunters will have to be careful... Peryton are't just deer with wings. They're also birds, and birds can be assholes.
Closed to Team Double Date
So an acrobat, a wandering hobo, and a crying alien walk into a forest...
Around the, the trees stretch up high, leaves brushing against leaves, branches aching with the weight of their load. In the distance, other animals sound off- real and imitations alike. The sound of other hunters with their own steeds is just as prevalent. Yet still with so much activity in the forest, it manages nonetheless to choke sound with the weight of itself.
And anywhere in it is where their prey could be.
So: what's the plan?
murder time
It takes a bit of struggling to figure out how two teenagers, a deer man, and a psionic who can't use his psionics are going to down a flying deer long enough to do what they have to, but eventually, the best solution they have turns out to involve a network of rope snares and the two more acrobatic members of their "team" hidden in the trees. Ginko and Psi stay close to the ground, as out of sight as possible.
Ginko's hand rests on the small pack he brought with him; for once, he's not fidgeting or fiddling with his clothes or supplies, instead sitting as still as he can. His face is set in the same stony, focused mask he's been maintaining ever since they came out here.
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They were all aware that Joker could be among their prey. That was why Doll was here. Ginko wanted to ensure a swift painless end to any they caught, and likely Doll was the same. Still if they were sympathetic towards anyone that sympathy doubled for a friend and a brother. That's why, when they see the legless winged deer, they all stop short. It was what they were hoping for, that if Joker was prey they would find him first, and yet now that they've found him, they actually need to follow through with the plan.
The Psionic is glad in that moment to have Ginko with him. Ginko actually knows how to navigate the woods, and he can track. He knows how to trap. It's crazy, the Psionic never thought Ginko had knowledge like this, but he does. It's impressive. He wants to tell Ginko that, but something about the expression on the human's face stops him. He stays quiet instead. Letting everyone work without talking unless prompted. The trap is set. The Psionic can only hope it works. He doesn't want Joker to suffer. Or any of the others either, for that matter.
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When they'd learned what the challenge was, and that Joker might be among the prey, he knew Doll would want to go. If it were Aya... well, he doesn't really want to imagine it. But he would want to be the one to find her, to make sure it was as quick and painless as possible.
That's what Ginko has assured them this will be, and he trusts Ginko's judgement on this. So he waits, poised on a branch in a crouch, balancing effortlessly. He only tears his eyes from the sky and trees to glance over at his companions, Doll in particular.
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She'd been quiet and stoic as they'd set the traps, slipping easily into her performance persona as both a defense mechanism and a habit. She has to focus, Joker is counting on her to focus even if he doesn't know it. The rest of the group is too, if they're going to get through this without an accident or injury. It's just like walking a rope, she tells herself.
Up in the trees with Tamaki, she keeps her eyes on the branches and sky as well, but eventually she stares, pointedly, at Tamaki until he looks at her. Her emotional armor is starting to melt under stress.
"It's gonna be alright," she whispers, mainly for her benefit.
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The Peryton knows this instinctively, wings and back talons and corvid brain drawn to the foliage stronger than anything. Down on the ground might be food, and water, but there's no safety there. There's especially no safety now, with dangerous bipedal hunters lurking about with tools that can injure and kill. Other beasts of the forest run, or fight, but the Peryton knows that he can't do either. At least, he can't do it effectively or without great risk. So ever since he can remember, the Peryton has preferred cleverness over flight or fight.
Thus it'd been a hell of a surprise when he'd gone through the trees and ran smack right into a pair of them in the trees. The result could only be described as a "clusterfuck".
Fortunately, he'd been able to escape, but the Peryton knows that he has to change his tactics. The trees are no longer as safe as he'd planned them to be. That means he'll have to actually act... a fact that the Peryton isn't exactly glad for, as much as he can process it. But there's no choice. While running is an option, a show of force might scare the hunters off; he can't afford hunters in the trees. So, carefully, the Peryton makes his way through the foliage. It's no easy thing with only three legs, one of them ending in a hoof, but his wings and back talons help a little in making up for the disproportionate balance.
Yet whatever awkward flapping the group can hear in the distance soon goes quiet, and, for a while, there's nothing but silence once more. The forest swallows up the distant sound of other hunts, of the violence and cries, and it's only the trees around them.
...Doll has probably never heard her own voice before. Such technology was never available to any of them, back in England, and the chance has likely not come up in the travels with this carnival.
Yet she'll hear it only a breath after she's whispered to Tamaki, nearly exact, but just off enough to be disconcerting -
"It's gonna be alright."
And then a winged deer comes crashing through the branches and leaves like a huge asshole.
It's not exactly graceful by any means of the word, with only three limbs able to push off from the original perch, but it is still an animal that weighs more than the acrobat, and the antlers that it has bowed towards her are still more than capable of horrible injury.
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but then Doll's voice is echoing, and he barely has a moment to think, That's bad, before the very beast they've been hunting is suddenly crashing through the leaves, antlers angled toward Doll.
He spends only a second stunned, before he literally leaps into action, throwing himself from the branch he was perched on and toward the tree Doll and the attacking peryton are in, having to grab at branches with his hands to stop his fall. Dangling by his hands, he starts kicking his feet at the deer's back, hoping to land in get it to pay attention to him rather than Doll.
In all the panic, he's almost forgotten this is really Joker; hopefully he'll forgive any bruises.
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Doll's eyes get very wide when she hears her own voice coming back at her, and it's only a split second before she sees charging antlers and not much else. She needs to move, she needs to get out of the way before Joker can hurt her because once this is all over, if he manages to hurt her, he'll never forgive himself.
She braces both hands on the branch, just like she's on a rope, and springs up and over the antlers. Ropes are straight lines, branches aren't, but she manages to stick the landing anyway. Turning is a little harder, but she just throws herself at Joker and hopes that both her and Tamaki's weight will be enough to take Joker out of the tree and hopefully straight into one of the traps.
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Ginko reacts immediately, darting the short distance to where they've landed, tugging briefly at the rope trap to make sure it's secure - while doing his best to avoid any limb-flailing going on. "Psi, make sure he's secured-- are you two okay?"
If the kids got caught in the ropes, too, that's just going to be another layer of complication, but. They'll deal with it. It's fine.
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Then he realizes it's the deer they're on as they fall from the tree, and he swears loudly. He has absolutely no problem with letting Ginko take charge here and rushes forward to try and hold down the peryton, especially grabbing it's neck so it can't gore any of them.
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A dozen different sounds burst out of him as he hits the ground, shrieking caws, chest-deep bellows, and his back claws scramble at the earth. Something foreign is suddenly on his neck, preventing him from being able to thrash his antlers as effectively as he'd like. With one leg down, there's only one thing available to it.
Everyone better be prepared for those wings flaring out in desperate and powerful flaps, helping to turn the distressed creature about in all sorts of ways as it tries to thrash both hunters that have a hold on it right the hell off.
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As many times as Tamaki has dropped out of the silks and into the safety net, nothing could have prepared him for dropping out of a tree and into a net with a live bird-deer thing trying to kick and gore him at once. He struggles to get away, and get Doll away, but he can't even answer Ginko's question before the peryton is flaring it's wings, knocking into his chest.
He does the only thing that comes to mind, through some instinct; tries to grab onto the wing and force it still, and trying to do so without injuring Joker further. He's not doctor, but he's pretty sure the peryton's leg shouldn't be bent like that.
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The wings are easy to spot, though, and for a terrifying moment Doll is afraid he's going to fly off with Psi around his neck. Tamaki is grabbing one of the wings, that leaves her to deal with the other one-- without doing what they did to Joker's leg. She vaults over Joker's back legs, dropping down under his flared wing and rolling to the side of him.
"Joker stop, please stop!!" Even if there's nothing of him that's watching this, Doll can't so easily separate him from the creature they're fighting right now. She's going to talk to him like she would if he could hear-- because if he could...
She wrestles with his other wing, trying to drag the tip down and into one of the traps.
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"Hold him still," he repeats. He lets go of the deer's neck long enough to prepare the syringe, filling it with anesthetic from the bottle. Enough to put him to sleep, stop the heart - quick and painless.
...As painless as it can be when they've already broken his leg.
Ginko keeps his hands steady, and within moments, he finds the vein again, slides the needle into it, and pushes down the plunger.
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The struggling intensifies, for all that there's not much he can do. Not when two pairs of hands go to grab his wings. Shrieking in fear, he tries to dig his talons in further and trash. This means putting more pressure on an already shattered leg, but he barely notices. Adrenaline and fear are too all consuming.
But, then, he barely notices the needle, either... until it pierces flesh.
There's a jolt, and the struggling renews itself only to grow weaker. It's fast, noticeable, and the Peryton keens deep in his throat. "Stop," Doll's voice gasps from his mouth, even as he sways. "Please... stop..." Unable to stay upright for much longer, his back legs buckle beneath his own weight, and the wings go slack in Tamaki and Doll's grips. It's probably better to let go, or at least readjust their grips. Even with some structural changes, a Peryton is still a large deer in many ways. Exhausted, drugs flowing quickly through his veins, he starts to sag to one side as unconsciousness takes hold.
"It's..." He still mimics to the end, unable to do anything else and calling for help that he can't truly comprehend. "It's gonna... be..."
And his eyes slide shut.
It doesn't take long for his breath to stop soon after.
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She feels the strength start to leave Joker's wings, and she knows it's been done. She holds on for another few seconds, telling herself to be steady, to see it all the way through, to not distress him any more than they already had. But she can't, she just can't last long enough. Letting Joker's wing down gently as his body sags to the ground, Doll drapes herself over Joker's shoulder and strokes his feathers.
She feels like she swallowed a box of nails, and they're all going down her throat at once. The pain of being told Joker was dead is nothing compared to feeling his breath coming slower and slower, it's terrifying past the point of rationalization. He's leaving her, he's slipping away, she may never see him again and she was partially responsible.
"It's gonna be alright," she finishes, her voice tight and gravelly as she clings to him and silently begs him to forgive her for this, for everything she's ever done. Seconds pass without her feeling a breath, then a minute. And then she starts screaming.
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He makes a sequence of noises, higher pitched and more liquid, than the booming calls he's been sending out, and waits, head cocked.
At the moment he can't make any plans more advanced than 'advertise my presence from a distance, then hide and lie in wait', let alone communicate them. But he does still feel a desire to... call out to something that is not his enemy? It's not even that he's hungry, or at least, not too hungry. Probably best to stay in the trees though.
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The creature who he's been listening to for some time, rattling his eardrums, is nearer, now. The Peryton can tell that much. His ears twitch at the change of sound, unsure of what to make of it. While he's not sure the creature making it is being used by those hunters... That doesn't mean he's going to leave the trees anytime soon.
Still, after a thoughtful pause, the Peryton carefully shifts what needs shifting, and sends an approximate mimic of the sound right back.
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Still. He spends a moment grunting and clicking and making those odd sort of clucks to himself, staring intently upwards with forwards-facing eyes, not sure what he's trying to do, just that he wants to do it. Call out! In an interesting way! Didn't he used to do this, before, when things were different?
There, this is probably as good as he's going to get for a while. The daspletosaurus repeats a sort of metal-on-metal sound a couple of times, trying for the highest register he has available.
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...But it's nice, to exchange sounds like this. Pleasant in a way that feels right. Corvids and deer are both extremely social animals, in the end, and a creature that meshes both together is especially so. Being able to exchange sound is almost a soothing balm to the burning fear and aggression inside of him.
Besides, if a hunter comes, the creature down below will be a more immediate target. This is fine.
Patiently, he waits for a more proper return than mere clucking, and his ears perk up when it finally comes. This time, he wastes no time in mimicking the sound right back, only to add a twist of his own. His memory is too strange, warped and foggy, to remember exactly where he heard the strange but bouncy little call, but it doesn't really matter.
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His mouth gapes open and he kind of shuffles in place, heavy feathered tail wafting behind him. The fluttering call is familiar, not that he can place it. He's just pleased to exchange noises, even if they don't mean much. Call-and-response could come to mean something, but for now it's just "I'm here! You're here!", and maybe for himself, I used to sing! I still sing! Isn't that nice?
Making a call like that, multiple high notes in sequence, is beyond him just now Instead, focusing intently, he makes a series of muted pocking noises that build into something too soft and affiliative to really be a growl, halfway between a percolator and a purr.
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It feels right.
The strange noises that aren't a purr but close enough are low, and, finally, the Peryton carefully navigates his head carefully through the leaves so that his antlers don't get caught in any branches. This makes at least a part of him visible as he looks over the daspletosaurus with a little less in the way. After a moment of curious looking, he finally returns the sound. It's not exactly the same, but it is also a soft noise, and almost seems to rattle in hi throat.
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He's working with a much more limited range of available sounds than a creature with a corvid voicebox, so, looking up, he just gives another friendly rumble, jaws closed, the skin on his snout vibrating, and flaps his little, feathered arms a couple of times.
This could probably go on for a while, but the wind changes. He goes silent and casts about, sniffing audibly, feathers standing up in a ridge along his long spine.
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Of course, then they're both given a harsh reminder of what's really happening in this forest.
The moment his noise companion goes quiet, so does the Peryton, and he immediately starts to pull his head back into the foliage. The only thing that ends up visible is the very tip of his nose, and the shine of his eyes as he waits.
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The hunters aren't close close. He can't hear them yet, even though his ears are pretty good. They are definitely close enough that he can pick out the scents of different individuals. He knows that they, and the beasts, are out here for a reason and that reason is violence, even if he can't quite conceptualize past that. He looks back up, sees that the Peryton has retreated again.
Team up, a part of him says. But it's a very small part of him, and he is very large and can't grasp how to do that, and the thought becomes just a wistful feeling. Singing was fun. It's a shame it can't just continue.
He heaves a great sigh and, filled with regret and resignation, swings his snout from the Peryton's hiding place towards where the closest hunters are, and back. There's a thing over there. Keeping his jaws closed, he sings something that doesn't sound remotely like an animal, a pattern of rising and falling sort of drumbeats.
What he really wants is one more response, but get it or not, after a moment he'll be off, making his challenge-and-warning calls again.