Lost Carnival Mods (
ringleaders) wrote in
lostcarnival2017-11-06 04:29 pm
Entry tags:
⇨ END OF EVENT LOG
Who: Everyone participating in the Prince's challenge.
When: Day 178, Afternoon
Where: A Conjured Forest
What: The Carnival takes to the Hunt again, but this time, with the intention to win.
Warnings: Violence and death.
When: Day 178, Afternoon
Where: A Conjured Forest
What: The Carnival takes to the Hunt again, but this time, with the intention to win.
Warnings: Violence and death.
SACRIFICES↴![]() In a bid to definitively settle a victor and reclaim the captured carnival workers, the Ringmaster has challenged the Prince to another hunt. If the Prince wins this challenge, he can claim the Blue Rose the Carnival stole; if the Carnival wins, the Ringmaster will be allowed to claim one True Name in the Prince's possession. With the Manor reshaped as it is, there's no longer a courtyard to transform into a suitable hunting ground. Instead, the Prince's magic has turned one of the floating islands between the fortress and the Carnival into an overgrown forest. Being a fae contest, of course, each side's idea of victory is not as straightforward as it would appear, but for those participating in the hunt, there is only one objective that matters: to kill their prey in the time they're given. The captives who have been transformed into beasts will have little of their human sentience remaining, and will be set loose to wander the forest freely. Instinct will compel them to conceal themselves or attack hunters, depending on their individual disposition. Upon death, the beasts will remain in their bestial forms. IN HOT PURSUIT↴ To win this challenge, the hunters must bring all of the beasts down with weapons or innate strength within the time limit: an hour and one minute. No magic may be used to take any of the beasts down -- any use of supernatural or magical abilities to trap, track, or kill the creatures will result in a forfeit to the Prince, and this will be made explicitly clear to the hunters before the contest begins. Hunters are allowed to bring their own weapons and mounts, provided they are non-magical in nature (or their magical abilities are not being actively used). If they do not have their own, ordinary ones of any variety will be provided to them. To expedite the proceedings, rather than dragging the bodies back individually, each hunter will receive a token from the Prince: an enameled blue rose. To formally claim a kill, they must place the rose on the dead beast (ideally, in their mouth, though as long as it's touching it it will do) and activate the spell by reciting the following words: "I claim this life for thy Master's game." "A life surrendered to claim my prize." Using the rose in this way will cause its petals to instantly wilt and magically bring the dead beast, and any hunters touching it, back to the Prince. So, don't touch it if you want to stay in the forest for more hunting. A CAPTIVE AUDIENCE↴ The Prince and the Ringmaster will be waiting for the results of the hunt in a roughly-constructed marble amphitheatre on another floating bit of rock. Those whose stomachs are too weak to take up even just the appearance of hunting can stay at the Carnival or hang out in the amphitheater, with the caveat that any attempt to attack the Prince or use magic to aid the captured prey will instantly default the win to the Prince. Should they want something to do other than twiddle their thumbs, the non-fighting carnival workers can peer into the hand mirrors left on the seats, smaller versions of what the Prince is watching the hunt through. They will be unable to control what images are brought up in the mirror, and it essentially only shows whatever the Prince is looking at himself. There's no sound, but the images are in full color (all the better to see blood with). This is also the area that the hunters and prey will be brought to when the spell is activated (or when every creature has been hunted). So, expect for a pile of corpses to end up there. [ OOC: This log wraps up the end of the Heartstone Manor plot! It is up to hunters and prey to create their own toplevels and sort out who will be delivering the finishing blow (feel free to use the OOC post about this event to coordinate that), but OOCly, it's set that the Carnival will win the Prince's challenge. The hunt's conclusion will be posted as a separate comment for characters to respond to.] |


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He stands between two trees, small with distance and largely obscured by foliage but still visibly quite a lot larger than elf or steed, and once he's sure he's been spotted makes a dismaying deep, almost gurgling rumble that tapers into a hiss. It would absolutely ripple a cup of water, if not in the classic out-from-the-center way, and it's loud.
Having stated his case with all the eloquence and panache he's currently capable of, he draws back. If Taako rolled high enough on Perception he'll see the tyrannosaurid turn and stalk away, barely rustling the undergrowth. Otherwise he just seems to back up and vanish.
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Well, it was convenient. And despite the gravity of it all... she kind of wants to see what she can do.
She's stopped long enough to speak--and only just, when they hear it.
"At this point, I don't--"
Uh.
.....
He eyes narrow. All of them.
That....
She can't even call that a roar. It's like the weird, resonant cry of an Angel; outside the normal vocabulary for such things, but immediately tapping some deep instinct, a primal sense of fear and awareness.
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Perhaps it's especially grave because of that; he really doesn't have much experience fighting without his magic. Summoning waves of bones to push his opponent around is very different than flinging them by hand, or going at it face to face. And those are both surely lots different than fighting against an enraged and enchanted giant animal person?
And that's just fighting, killing is a whole other thing. Even before volunteering, he admitted as such. If there were enough people around, not-captured and not-poisoned, ready and experienced with this? If there was another plan that others said would work? He'd gladly have stepped out. But... there aren't, not to his estimation. And if ... his brother can do things like this, then Papyrus himself must be capable of it. Of knocking people out... a little more forcefully than usual, though they'll wake up in the end just the same. So it's fine.
He almost misses what Mari starts to say, in the middle of an internal monologue about how it's fine and it's going to be fine. The oddly chattery roar, though. That's pretty unmissable.
"Oh good!" Papyrus chirps after the sound fades. "I was beginning to worry, maybe they wouldn't be scary and violent after all? But that's settled. What a spine-chilling cry..."
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"You never know," Mari replies brightly--though the light of determination in her eyes prove her mood a bit otherwise. "That could just be the squirrels around here." But she doesn't waste any time about pretending otherwise. Even if that cry came from something the size of a frog, it's a frog that needs to die.
Because it's not a frog at all. It's a human.
Angels, like Evangelions, like their pilots, are all just another definition of 'human.'
Like whatever has become of their fellow Carnival members.
She doesn't wait for Papyrus, but grabs her bone spear and begins to sprint through the brush, hot in pursuit--running toward the sound.
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His feathers camoflage him. He is a dark and dappled shape with dark, small eyes. He could wait longer, try to confuse them further, come out at an even better point or not at all. But that's a lot of glinting eyes in that pink shape, and his muscles decide for him. He springs.
Two tons of muscle overlaid with feathers explodes out from the underbrush, trying to just plow into Mari from the side. He's not biting yet, but his huge and heavy head is a battering ram, a very thin layer of feathers and scales over a lot of bone.
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Mari becomes aware of something off to her left just seconds before it matters--not even seconds, really, because there's just not enough time to change course or even turn more than halfway.
The tyrannosaurid's head erupts from the trees to strike Mari at full force, the impact flipping her into the air and into the canopies with a blunt, feathery whump.
"Whooaaaa--aaaaaaaa!!?"
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"Uh. Huh."
"Yyyyeeeeeahhhh."
"It's... super too late to back out now, isn't it?"
Without answering, Garyl breaks into a gallop, pointed towards the source of the unidentified flying victim; she'll probably be fine, right? They need to focus on stopping this fuckin' hunt as soon as possible so everybody can just... get revived and they can go on with their shitty, magic lives.
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This gives him the moment to look up, and up, and gulp. They're big, and heavy, and he's not. If he needs to stick to conventional sorts of fighting... the first thing is, keep them from ramming people like that.
"I'm sorry!"
He calls out, and rushes at the big feathery person's leg with the bone club, swinging at the most flexible part of their ankle.
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The joint of his ankle is a touch under three feet up. Everything below it is covered in stone scales, but the point itself is vulnerable, if heavy and sturdy. The club whips in and it doesn't even hurt at first, but he makes an inarticulate protest as something gives. He'll be able to put some weight on it, but he knows immediately that he can't run.
Jerking back the daspletosaurus pivots around on his other foot, balancing heavy front end with heavy tail, and raises his injured foot up to sweep down and across at the white biped. All the while the feathers on his head and neck are raised out like spikes, making him look bigger, and he's putting out a horrible throbbing growl.
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And she kicks off, launching herself back towards the posturing beast with an animal cry of her own--
Taako might want to duck.
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Mouth closed he's making a sound like water boiling violently at the bottom of a deep pot; that shuddering of a growl, that fervent of a hiss, all resonating, and he doesn't stop when he hears the shriek of the first attacker.
Centering his weight as best he can - it's not good, he can only lean so much on this foot - he lunges forwards and does what Julien would call a heron strike. The daspletosaurus pulls his great head back on his powerful neck, and sights with both eyes down that big snout, and judging speed and distance in the unthinking way of someone who's practiced a long time the best ways to use pecking in a fight snaps his head forwards.
He's not as fast as he should be but he's strong, and if he can pummel her out of the air with his snout it's going to be time to finally open his jaws. There may be more flinging in the near future; his situational awareness isn't great but there's too many enemies to focus on where to bite to just kill.
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"Oorf--"
His big snout makes contact, all right, driving directly into her stomach and knocking the wind right out of her, but she was hoping for that. Well, maybe not that specific part, but a shot at his face. (Actually they're both lucky she didn't puke on him.)
She has four arms, after all.
Two of them--powerful Evangelion-esque arms with monstrous pawlike hands, dig their claws into his feathered flesh, seeking skin, attempting to find purchase. A third more humanlike hand flies up to grab her glasses, which are threatening to escape her face from the impact.
And a fourth, the one holding a bone spear, attempts to drive her weapon into his eye.
"HOLD STILL, FUCKHEAD!"
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The daspletosaurus does not hold still. The daspletosaurus whips his head back and forth like a dog worrying a small animal, tries to bash the hunter against trees, opens and closes his jaws trying to catch something between them. There's no saliva to speak of, just flung blood and hot breath. Hot breath that's got this blood plasma-yeast bread-sourness combination, at that; he hasn't had the chance to eat meat to taint it with.
His whole head is four or five feet long and this hunter would probably be almost as tall as him standing. Much of her height is elongated legs, and she's vertically aligned so she's smaller than she seems, but some of the muscles of his neck are slashed and she's still big and heavy enough that flailing his head carrying her is an effort, and not one he can keep up long. He is completely absorbed in trying to scrape off his attacker, utterly unaware of anything else going on.
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Instead, he rides up close, putting away his bow and drawing the sword he's been loaned instead; when he's within range, he jabs sharply at the soft tendons of the creatures previously uninjured leg, trying to drop it, or at least trip it for a moment.
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He winces as he stands, at the telltale signs of bruising along his spine. Fighting without using his magic is harder than he thought. At least this transformed friend doesn't seem to have any magic of their own, and they're just... gigantic enough, and toothy enough, and strong enough that it takes four people to have any chance here.
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This isn't working, he realizes, he's weakening (and there's something wrong with that; he should be able to fight and act for hours on end) and his belly is vulnerable. The daspletosaurus is spurred on to another reserve of energy. He stumbles again and rather than painfully correcting into and maintaining a stable stance he just starts thrashing wildly, all three tons and thirty feet of him. Head, feet, tail, whipping, throwing blood and loam everywhere, trying furiously to bite. You don't really want to get hit by the tail but it'd just knock you around, that's the least dangerous end.
This isn't something he can keep up for long. The leg is going to give and he's going to hit the ground and continue struggling, but he's starting to tire.