lostcarnival | ⇨ THE ATHENAEUM

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⇨ THE ATHENAEUM

Who: Everyone!
When: Day 47 - Day 58 ish
Where: The Athenaeum
What: The carnival arrives at book world. First week, they'll be performing for magical manifestations of book characters. Second week, it's time to hunt (for books, in the library.) Around Day 58 some stuff will occur.
Warnings: Reading is mandatory.

FAERIE TALES↴

Though the carnival will be performing for its guests in the first week, they are welcome to search the Athenaeum while they are off duty during that time. The manifestations of story characters will be out in full force during performance week, with animals, people, objects, and even locations growing out from various tales. Most are distracting at worst, and will be curious to check out the carnival. Some, however, can be as dangerous as they were in their stories of origin. You know what to do.

► IT'S TIME TO ROLEPLAY: The best way to deal with book ghosts is to follow their narrative to its logical conclusion - turn the tables, work the story so it ends in your favour! Naturalistic and narratively satisfying plotting will have the manifestations following your lead. However, push too hard and introduce too many plot holes, inconsistencies, or illogical plot twists, and they will reject your reality utterly, becoming quite aggressive in the process. You can also use your natural abilities and powers to fight them in a traditional sense, but in the Ringmaster's experience, it's best to fight reality benders by bending reality right back at them. If you aren't careful, it's possible to be dragged fully into a story's reality, and then things get really messed up.

► IT'S ALSO TIME TO READ: The carnival came here for a purpose, and that purpose is to research. Specifically, the Ringmaster is looking for information on the Queen's Miracles - the set of ancient fae artifacts that the Blue Rose is one of. The carnival needs these artifacts to defend itself, but nobody knows where they've been for thousands of years. That's what the books are for. However, nothing is stopping you from pursuing knowledge for personal reasons. The halls are open to your perusal, and only your heart can guide you to the book you truly seek. Check the plot post to see what's allowed, and sign up to find plot info or other important game information below.

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Huh, he really should have seen this coming. With a wave of his hand, Strange dispels some of the smoke, but some of it flies directly in his face and in the faces of the book ghosts who are watching. Alright, plan B.

Dashing over towards the bookshelf Childermass is sitting on top of, Strange places his hand on the shelf, muttering to himself. Thankfully, this bookshelf is wood, so the spell he's casting works. The wood of the bookshelf starts to spike up, forming tendrils that attempt to either grab Childermass or cage him in.

Wind conjuration done and over with, the gust trails off into nothing and Childermass resettles, beady little bird eyes narrowing as Strange runs over to slap the bookshelf. What is he-- oh. He's a little slow on the uptake this time, having missed the actual creation of the vines and flowers he did for the other shelf, so when he tries to take wing again, it's too late.

He gives an offended squawk when trying to get back into the air ends with a sharp tug of vines tangling his talons. All he can do from that point on is make annoying, scolding sounds at Strange and flap his wings wildly while doing so, trying to break free. It's all probably cursing, just in bird.

As expected, Strange looks tremendously smug as the vines grab Childermass. Well, that's half of this done! Of course, finding a way to get close enough to Childermass to turn him human while still maintaining the magic to try and hold him would be the most trouble.

So, Strange improvises. His hand is still on the bookshelf as he mutters a spell. The vine holding Childermass starts to grow, moving itself (and Childermass) down towards Strange. There's a little slack as the vine moves and the entire thing is quite awkward: Strange is trying to lower the vine down gently while also keeping hold on Childermass's talons and also not yanking Childermass around too hard, so there's plenty of opportunity for Childermass to squirm out of this.

To what end? Strange might just turn every shelf into a bunch of vines. So, instead, he just makes it irritating to get ahold of him, wings flapping and aiming to smack Strange as soon as the vines grow down close enough for the other magician to reach. On the bright side, he isn't snapping with his beak? That's a good sign, right?

Jesus Christ, this is irritating. Strange gets a few feathers to the face and Childermass's wing whacks him hard in the nose. Just accept defeat already!

"Hold still," he can't help but complain before he mutters a spell. And then Strange is shoving his face right in the bird clusterfuck, hoping to at least touch a little bit of bird so that the creepy kiss despelling can do it's thing.

Needless to say, the spectators have no idea just what the hell's going on right now and are watching the scenario with utter confusion.

No, he's here to ruin your show, man, enjoy the face full of feathers. Really, though, once Strange is past the wings, creepy kiss dispelling is a go and he'll go from manhandling a bird caught in a vine to manhandling a... man... less so caught in a vine (on account of suddenly being far bigger than a crow).

"You couldn't have thought of a more graceful way to do that?" He asks, nose wrinkled as he puts a hand on Strange's chest and pushes him away.

Anyway. Hello, audience, there are now two magicians.

And Childermass's discomfort does nothing for Strange. He's still a bit too proud and a bit too appreciative of the fact that in the battle of magician vs. bird, he came out on top.

"When have I ever been graceful?" Strange responds, with a grin and a laugh. A lot of things can be used to describe Strange's magic but very few people would call it graceful. He waves his hand as the vines slowly start to retreat back to the top of the bookshelf. Still, there's another magician here, he might as well introduce him.

"This man is Childermass. As shown by the bird thing, he's a fellow magician. Childermass, these are...well, they're books." Look, the Ringmaster said to perform for the book ghosts, that's what Strange has been doing.

Good job at beating a bird, Strange. No doubt it'll be recorded in a book somewhere around here. As for the actual books, however, which is to mean the specters from them, Childermass turns to appraise just how many and of what variety there are. An interesting mix, as always.

"I figured as much out myself," Childermass says, not doing terribly much to add to the introduction or, in general, be polite. "Just thought I would add a bit of surprise to your little act."

"Well, you've certainly done that." Nobody expected the act to turn into bird vs. magician, least of all Strange. He looks over at Childermass for a moment. Now that the other man's here, part of Strange just wants to stop performing so they can talk shop or talk about books...but he knows that it would be just poor form to abandon the performance here and there.

"Though, why don't we finish this off in tandem? One magician was interesting enough, but a final feat of magic involving two magicians? That's certainly impressive."

Come on Childermass, he knows that you used to be in performance, just indulge and cut loose with your magic once in a while.

It's been months since he's had to consider performing but seeing how Childermass doesn't immediately turn the idea down, that's likely a good sign. He does have to think about it for a moment, though, before giving Strange a nod.

"Depends on what it is, I'd think," he does point out, however. "Did you have something in mind?"

Because he can... what? Vanish? Turn shadows into other shadowy forms? Turn into a bird? He did have his own act before, of course, but compared to Strange, his options have always been a little more limited.

"You've got your shadows. I can give you a much of a light source as you want while you pull from it and do something interesting."

Of course, the light source Strange is thinking of is 'fire.' Still, if he focuses on containing the flames and keeping them from the bookshelves, then that should keep the books safe while giving Childermass enough shadows to pull from and do cool shadow magic with.

Admittedly, Strange is a little iffy on what cool shadow magic Childermass could do in a performance setting, but hey, that's what performing is for in the first place.

"So long as you don't burn the place down around our ears," Childermass says oh so matter-of-factly because he knows he's thinking fire. It's an easy guess and, sure, he's not serious, but even when he's not being serious, damn he sounds serious. Regardless, it's a fair enough idea, so he steps back to give himself some space apart from Strange and nods.

"Whenever you're ready, Mr. Strange."

Edited 2018-05-04 01:01 (UTC)

Strange closes his eyes for a second before a fireball appears, floating above his hand. Murmuring something under his breath, Strange lightly lobs it into the air. It stays there, hovering for a moment, before splitting into three smaller fireballs. Multiple lights means multiple shadows, so even though this isn't the world's largest surface, Childermass still has plenty to work with.

All of his attention is focused on the fireballs, as they hover in the air and slowly start to rotate in a circle. To Strange's credit, he's actually concentrating quite hard on the fireballs, gently adjusting the circle whenever one moves too close to the bookshelves, a book ghost, or themselves.

Normally, Childermass would not put any flair into his magic, but that wasn't as true when he was actually a part of the carnival's performance crew. He at least made an effort and he'll make that same effort here and now, turning to the audience to over them a bow and then as he comes up from that, he goes from that to a pretty natural, fluid motion of sweeping an arm out and gesturing in a wide half-circle like he's pulling something out of the air.

It's the shadows he's pulling at, all the ones that Strange have helped make in addition to what was already there. They contort and twist, moving as if they were suddenly living things, parting from the surfaces they cling to. They don't make any sound. They are, after all, shadows. That's something he might be able to fix later one day, perhaps adding wind to make the sound of them coming together and flying because after pulling the shadows, he turns them all into a massive flock of crows.

He continues his sweeping motion, pulling them all around as he now completes the circle he started. The shadows flock together, becoming a whirlwind of black closing in around the two magicians. They remain birds whirling around a breath longer, then everything is black, and back where the little show had been, the pillar of shadow birds last a little longer in Childermass's wake, then scatter, as if blasted apart, in every direction.

Childermass and Strange are gone, though the specters will applaud and look around, trying to figure out where they went, nonetheless. As for the two of them, well, they aren't far from where they started. Close enough to hear the clapping and murmur of them but far enough away, a few stacks over, that they aren't like to run into them again.

While this happens and Childermass makes his birds, Strange continues to focus on his fire, keeping it moving and keeping it stable. It rotates and spins but doesn't do anything too fancy or too show offish. Strange is watching Childermass all the while, occasionally looking to see what the birds are doing.

The answer, it seems, is letting them travel. As he feels the magic of Childermass's shadow travel spell start up, Strange brings the fire together to snuff it out all at once. He's responsible, he's not going to let the books catch on fire. He lets the familiar feeling of shadow travel envelop him before they pop out a few stacks away.

"That's certainly going to be something they won't forget," Strange grins. "I'm glad you still have a bit of a flair for the dramatic."

"Something I learned from your own performance if I'm to be honest," Childermass admits with a hint of amusement playing across his face. "The first few weeks that I was with the carnival on my own were a bit stiff."

"I'm glad to see that I'm of some use!" he teases, giving Childermass a grin. And now that they don't have book ghosts or a performance to worry about, Strange relaxes a little. As he leans up against the bookshelves, Strange looks up towards the top, like he expects to see something up there.

"This place keeps making me think of Norrell. He'd keel over with excitement the moment he stepped in!" There's a slight fondness in Strange's voice as he speaks of the man. England's most notorious book hoarder would have a friggen field day in a library this huge.

Something that Childermass can't help but scoff at. Keel over with excitement indeed...

"And then he would keel over in terror at the first specter he encountered," Childermass points out. "Followed by arguing with the Curator over how the books are organized, the Scribe over how they write, and then demand I go find an increasingly long list of books for him so he would not have to walk so far."

There's a huge difference in experience between a student-turned-peer and one's servant, truly.

Edited 2018-05-07 04:12 (UTC)

Alright, alright, Strange gets it. It would terribly inconvenience everyone (mostly these two, let's be real) if Norrell was here...but he still kind of wishes the other man was here all the same.

Though, it's partly to stave off the hissy fit or sulking that would happen whenever Strange mentions the library. There's a bit of self-interest in here as well.

"But they are organized terribly," Strange has to admit. "I've found books about myself, books written in shades of color instead of words, and a ridiculous assortment of fairy tales, but nothing about the Miracles yet. If there was a proper classification system, I'd at least know where to start."

"They are," Childermass must concur because, honestly, it's the truth. It's just one he doesn't need to be told of every two minutes, thanks. Regardless, he shrugs, which is pretty much the beginning and end of his own complaints. "Easier to search when you have as many helpers as I do, I imagine, but even then, there is a lot and none of it is in any order."

But whatever. Life is chaos, he supposes. He does give Strange a curious look over the books he's found, however, raising his eyebrows a hair.

"What kind of books about yourself?"

"I only glanced at a few pages but they mostly seemed to be stuffy biographies," Strange explains, with a sigh. Biographies that put a proper amount of focus on his magic but not enough focus on Arabella. Come on, 19th century biographers! Acknowledge women! Especially when they're as cool and wonderful and amazing as Strange thinks his wife is.

"I did find something interesting, though. It turns out the thing that I buried, that I thought was Arabella, was something called a moss oak. It's an enchanted tree of some kind, pulled from a bog, given shape by the tears of a woman—and really, if that faerie wasn't dead, I'd have killed him myself for harassing Arabella!"

Because Arabella had to cry to get those tears, something had to make her cry, Strange is 100% shoving all blame for that right on the gentleman with thistle-down hair.

Far be it for him to tell Strange otherwise because he does not know otherwise himself and doesn't mind shoving blame off onto that damn faerie in any case. Damn creature caused enough trouble as it is, so why not a little more? He certainly isn't around to protest anymore. So, it just leaves Childermass to raise his eyebrows some at the rest of that.

"A moss oak? I've never heard of such a thing before," he admits. It certainly never came up in any book he browsed through at Hurtfew. "Where in the world did he find it? In Faerie?"

"In a Scottish bog of all things," Strange answers, with a little shake of his head. Which yeah, that's odd, he doesn't know why there was a moss oak there, how it got there, why nobody found it, and so on and so forth.

"But the faerie knew where it was and what it did. The story didn't tell me how, just that he knew where it was, got Walter Pole's butler to help remove the moss oak from the bog, and used the tears to make it look like Arabella."

There's a pause, while Strange mulls it over. "I wonder how he knew about it in the first place."

"A Scottish bog?" Childermass can't help but be surprised, though he furrows his brow rather than raising it at that news. "I would hope no other artifacts from Faerie like that linger in our world..."

But chances are they do. They just haven't found them yet and they're bound to be unhappily surprised by them. That or the newly opened roads will bring new mischief. Whichever happens first, even he can't guess. Still, all that's left to do is shake his head and decide to worry about it when he's actually back in England.

"Maybe he put it there ages ago and never got back to it or maybe he just knew where to look. Doesn't much matter now, though, does it?"

"It doesn't. After all, the passage didn't say anything about another moss oak being there."

But it still offers so many questions. What other artifacts from faerie would people discover? Were there other artifacts in the first place? How long did it sleep there, underneath the muck of the bog? The book, in all of it's roundabout way of explaining things, didn't tell Strange shit.

"I also found out a few other things from our world," he explains. "What happened to Drawlight after Venice, what happened in England when I was in the peninsula, things of that sort." The perks of doing the library equivalent of googling yourself.

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